22 – 23 – 24 November 2019: PrintRoom @ Printing Plant Art Book Fair, Amsterdam

 

On 22, 23 and 24 November we join Printing Plant Art Book Fair in Amsterdam!

We’ll bring a selection of books based on our year programme and we’ve invited ‘guerilla archivists’ to share their thoughts and ideas:

New Concepts for Guerilla Archiving: How to Survive Your Collection and How to Make Your Collection Survive or Fall Apart
Panel discussion
14:00 – 15:00, auditorium (theme 1)

The panel will discuss the sustainability and accessibility of private collections of artist publications belonging to experimental, ‘guerilla’ archivists and collectors. The speakers will brainstorm efficient ways to network collections and make them less vulnerable and reflect on to what extent can new technologies influence this process? What do we do if the funding dries up, the rent gets too expensive or when the collector can’t manage the collection any longer? The speakers will first introduce themselves and discuss the way they engage with their own collections. Based in Rotterdam, PrintRoom is a project space dedicated to the production, promotion and dissemination of artists’ publishing. This panel is the first in a series of events organised by PrintRoom in order to begin to understand how to respond to questions arising from its own growing archive.

Speakers: Karin de Jong (Founder PrintRoom) Jan Steinbach (Founder Edcat), Franziska Brandt and Moritz Grünke (Founders of The Riso Herbarium), GJ de Rook (art critic, curator) Andreas Bülhoff (Library of Artistic Print on Demand), Ami Clarke (Banner Repeater), Silvio Lorusso (founder of the Post Digital Publishing Archive).

At 16.16 G.J. de Rook will present the book we’ve made with him: Book Gymnastics.

“how to use a book: book gymnastics.

books can be treated in many ways. first of all you have to take them in your hand(s). then you can read the flap text and/or browse the pages. although western books are meant to read from left to right, the asian way is the opposite. sometimes illustrations force you to tilt the book. maximising this approach of tilting the book is the key to ‘book gymnastics’. the book has been transformed in a labyrinth where the ‘point of view’ constantly floats. this ‘book adventure’ will ‘chase away’ the conventional reader but please the brave. as a bonus both the intellect and the physical are served.” (G.J. de Rook)

 

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